Saturday, May 8, 2010

Stolen Rhodes


            Imagine what would happen if Bruce Springsteen and Dave Matthews came together and had a baby. That child’s name would be Stolen Rhodes. This New Jersey/Delaware Valley based band puts on a unique performance every time they’re on stage.
            Stolen Rhodes started out playing small shows along the Jersey Shore. Since the release of their EP “The Dark Side of 88,” they have yet to look back and have no intentions on doing so.

DB: You guys released “The Dark Side of 88” in May of 2009. What was that experience like?
SR: Well the dark side of 88 is a reference to a Bruce Springsteen song “Spirit in the Night.” Bruce is a big Jersey shore guy and everybody kind of knows that he’s probably one of the most famous people to ever come out of New Jersey. We hang out in Lakewood (NJ) a lot on the “dark side of route 88.” So we’re kind of just paying tribute to that song and also where we grew up. We listen to a lot of Springsteen and it’s cool that we hung out in his old stomping grounds.
DB: Well speaking of Bruce, one of the places he used to play was The Stone Pony in Asbury. What was it like to headline there?
SR: That was probably one of the most awesome rock and roll experiences. It was overwhelming. You step out on that stage and there’s people there that are into it. It really feels good to play a venue like that. A lot of people talk about getting nervous before big shows, but we feed off the energy.
DB: Speaking of feeding, you guys must love Surf Taco because you play a lot of shows at those locations.
SR: Well when we first got together we played a few gigs. Then we heard there was live music at Surf Taco. We gave the owner one of our demos and he enjoyed it and asked us to come play. The first time we played there, it was actually our CD release party, so it was a real nice experience. They ask us back there all the time so it’s good stuff. The audience is right there and they get into it so it’s real nice.
DB: Plus all the free Surf Taco has to be nice.
SR: Oh absolutely, we drink and eat like kings when we go out there.
DB: You guys have done a lot of travel and played a lot of shows. Do you have a particular favorite?
SR: We like The Shrine Bar in New York. That’s a really cool spot. It’s the most eclectic group of people there and it’s a real good atmosphere where everyone just comes out and has a good time. It’ll be a Wednesday at 11 p.m. and people will be anxious to see us.
DB: You play a nice combination of covers and originals. What’s your favorite song to play?
SR: Well we love to play our originals. But we all have different songs we’re into because of certain parts we get to play.
DB: Well who does most of the writing of your originals?
SR: Lately we’ve been trying to get the whole band involved and it’s been really working out. It’s definitely starting to open up new doors to our sound. We want our music to be from Stolen Rhodes since we all contribute.
DB: Where does the influence from your songs come from?
SR: It’s now gotten to the point where we talk about work and where we want our lives to go. We’ll sit at work and just think “I’d rather be playing music right now. This is something I can do for the rest of my life.” That, to us, brings up a lot of songs. A lot of our songs kind of have that working vibe to it. We’re just telling a story and to us, its real song writing because it comes from our experiences.
DB: Do you guys see this as the rest of your life? Do you see Stolen Rhodes together in 20 years?
SR: Absolutely, you just hit it right on the head. That’s exactly what we want. Any one of us could get a job as a bass board musician or a hired gun but we all want to be in a band and to make a living with music we actually care about. It’ll be great to say we can sell out huge stadiums but as long as we can make a comfortable living, that would be a big success. 

Monday, May 3, 2010

End of an Era

Well boys and girls, here it is. This is my interview with Toms River's own End of an Era broadcast from McIntyre's Pub. You can check out the print in the OCC Viking News and soon at The Riverside Signal.



            
            In a day where the music scene mostly belongs to the “Single Ladies” who “do the Helen Keller and talk with their hips,” a band has to have an original sound to get noticed. Toms River band End of an Era bases their music on what they don’t want to sound like.
            Before a brief departure in 2009, EOAE had a sound that was original to the Jersey music scene. Since their reformation in earl 2010, they found their sound had been duplicated. Now with a new guitarist, EOAE hopes to introduce their fans to a new sound they’ll like more than the original.

DB: You guys have been together for five years but took a brief absence in 2009. What’s the story behind that?
EOAE: It’s no one thing you can put your finger on. Things just came to ahead that were building over time. It was probably the healthiest thing for us because now we’re really happy.
DB: Regarding your name, End of an Era, how did you guys come up with that?
EOAE: We get this question all the time and we usually give them 20 different answers. It’s something we’ve always wanted to call a band and it was just like, ‘Hey, End of an Era, cool.”
DB: Do you guys all rock out to the same music or do you have different styles?
EOAE: Well we all have very different styles in music, but we appreciate it all.
DB: What about the influence for your songs? where does that come from?
EOAE:  There’s always a lot of alcohol involved. But as a musician, what you do stems from a lot of what you listen to. We don’t necessarily go into a room and say we need a Nine Inch Nails or a Dead Kennedy’s song. A lot of it has to do with what we don’t want to sound like. That was the whole idea of End of an Era. We don’t want to fit into any one category.
DB: Which is really hard to do nowadays because every sound now has a label on it.
EOAE: That’s half of what we did when we regrouped. A lot of people caught up to the sound we we’re doing when we first started. We kind of had to go back and think about how we could make it different again.
DB: Well other than your sound, how have you changed since you first started?
EOAE: We’re five years older, five years better (and) five years more experienced. We’re not going to give you the classic answer “we grew as song writers.” From beginning to now, it’s like everything else. Things just mature on their natural base.
DB: Well I’m sure what helped you guys mature was playing in Brazil a few years back. What was that experience like?
EOAE: It was cool because people down there assumed just because we were an American band, that we were somehow a big band. They didn’t know what we were doing there but they were into us because we were Americans. And the only time they could sing perfect English was when they were singing The Ramones.
DB: You guys have been thru a lot such as new members and the break up in ’09. What has been the biggest challenge for you guys?
EOAE: Reinventing ourselves seems to be the most trouble. When we started out, we had new ideas and fresh ideas. Myspace, Facebook and all those other media forms had just started out so weren’t in a cluster of other bands. Nowadays, everyone is using those media forms. Now it’s like reinventing the wheel. And not only that, it’s trying to keep people interested. It’s a matter of keeping our fans happy.
DB: Well you guys have played Brazil, the Warped Tour, Bamboozle and a lot of other big shows. What’s next for End of an Era?
EOAE: Right now we have a five song EP we’re giving away for free, so we’re focusing and touring on that right now. We plan on having a new, full length album by the end of Summer. We haven’t done a full length since the beginning. We’re on the Tool and Nine Inch Nails regiment of one every few years or so.

            Everything End of an Era has ever recorded is available for download at endofanera.bandcamp.com. More information and tour dates can be found on their Myspace and Facebook pages.